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Closing date for applications: 26th May 2025 at 11.59pmSalary: £28,808 per annumDuration: 18 monthsStart date: 1st September 2025 The Financial Times apprenticeship scheme is now open to applications!This scheme is aimed at helping young people from under-represented groups start a career in journalism. We are particularly keen to hear from people from minority ethnic backgrounds and those from disadvantaged socio-economic households. This apprenticeship is for people who do not have a degree or a university application and candidates who have applications for a degree currently under consideration or who are attending university, are not eligible.You will study for an NCTJ qualification while working at the Manchester Evening News and the FT, under the 18-month apprenticeship scheme.We are looking for people who would like to develop a deep knowledge of current affairs and business, are curious, persistent, seek out the truth and feel suited to working to the tight deadlines and the pressures of a modern newsroom. You will also be able to adapt to different environments - the apprenticeship involves living, at different times, in London and Manchester.Due to the partnership with M.E.N., we are especially interested in applications from candidates living in the Greater Manchester area. &nbsp;What this apprenticeship offers<ul><li>Paid-for study towards the NCTJ level 5 qualification through the apprenticeship scheme</li><li>Training at the Manchester Evening News and the FT</li><li>Some accommodation support available &nbsp;</li><li>30 days annual leave</li><li>A dedicated FT mentor throughout the programme</li><li>Access to FT Employee Networks &nbsp; &nbsp;</li></ul>What you’ll do<ul><li>Begin with&nbsp;4 months study in London for the NCTJ level 5 journalist qualification (this industry-recognised standard is the equivalent of second year university and includes the NCTJ diploma). One day a week will be spent in the Financial Times’ London newsroom.</li><li>You will then spend 6 months training as a reporter in Manchester with the Manchester Evening News.</li><li>Return to London to spend 4 months training in a Financial Times specialist publication, such as Investors Chronicle.</li><li>A further 4 months working alongside FT journalists in the field and newsroom</li></ul>Timings may be subject to change &nbsp;Eligibility requirements<ul><li>You will not have a degree or be attending university</li><li>You will be aged 18 years or over by 1 September 2025</li><li>You have been awarded good Level 3 qualifications by September 2025. Suitable qualifications include:<ul><li>2 A levels</li><li>4 AS levels</li><li>NVQ</li><li>BTEC</li><li>Applied General Qualification</li><li>International Baccalaureate diploma</li><li>Access to higher education diploma</li><li>T Level</li><li>Tech level</li></ul></li><li>You must also:<ul><li>Have achieved GCSE 5 for Maths and 7 for English language</li><li>Have the right to work in the UK</li></ul></li></ul> &nbsp;We are looking for someone who is:<ul><li>Curious about people, governments, business and money</li><li>Open-minded and interested in different perspectives</li><li>Truth-seeker</li><li>Willing to learn</li><li>Conscientious, hard-working and diligent</li><li>Resilient and flexible</li><li>Strong communication skills, especially good written and spoken English</li><li>Able to adapt to different environments (the apprenticeship involves living, at different times, in London and Manchester)</li><li>Although not essential, include any languages, data and social media skills in your CV</li></ul> &nbsp;The use of AIOriginal reporting, great writing and intelligent commentary lie at the heart of FT journalism. Its readers trust us to produce quality journalism that is accurate, fair and insightful. This is why FT editorial staff do not use artificial intelligence (AI) tools to write articles or create other reader-facing content. For specific and pre-approved cases, AI can be harnessed for certain tasks, such as assisting data research for investigations. &nbsp;We expect applicants to the FT newsroom to refrain from using AI in their test submissions, and any written materials should be a genuine reflection of their own knowledge, skills and experiences. We encourage candidates only to employ AI as a tool to help with research and interview readiness for a role.&nbsp; &nbsp;What’s in it for you? Benefits included:Benefits vary by location but the FT is committed to providing best-in-class perks across all offices. These include generous annual leave, medical cover, inclusive parental leave packages, subsidised gym memberships and opportunities to give back to the community. Full details of these benefits are available<a href="https://aboutus.ft.com/careers/benefits" target="_blank"> here.</a>The organisation has embraced a 50% hybrid working model (averaging two to three days onsite) that fosters trust and remote adaptability while encouraging in-person camaraderie and peer learning. Additionally, they are open to accommodating specific flexible working pattern requests for all roles where feasible.&nbsp; &nbsp;About the Manchester Evening NewsThe Manchester Evening News is the biggest regional news website in the country, larger than some national brands. It tells the stories that matter to the people of Greater Manchester and beyond. Its journalism is rooted in hard news reporting, people-focused real life features, and issue-led campaigns. It has a strong cost of living, shopping, what’s on and TV offering.The MEN also provides a unique northern perspective on national news and issues, and the site has been widely recognised with industry awards.The Manchester Evening News is based in Oldham, close to Chadderton Metrolink stop and accessible by bus. It also works on a hybrid model with Tuesday-Thursday office based, but for this role would hope you would spend as much time as possible out on your patch once you have settled in. All junior reporters are mentored by a senior reporter and a content editor to support fast development. &nbsp;To apply<ul><li>Upload your CV, cover letter and application questions as one document (applications without a tailored cover letter will not be accepted)</li><li>In your cover letter, include the questions outlined below</li><li>Once submitted, you can no longer amend your application, so proof-read carefully</li><li>Do not contact the company directly</li><li>Please email any queries about this role to Creative Access at this address:&nbsp;<a href="mailto:recruit@creativeaccess.org.uk" target="_blank">recruit@creativeaccess.org.uk</a></li></ul> &nbsp;In your cover letter:&nbsp;1. Tell us why you want to be a journalist (300 words max)2. Tell us why you think you'd make a great reporter (300 words max)3. This scheme is aimed at under-represented groups; tell us about yourself and your potential to benefit from this opportunity (300 words maximum) &nbsp;We welcome and encourage applications from candidates who are under-represented in the creative industries. This includes, but is not limited to, individuals who identify as Black, Asian, or from other ethnically diverse backgrounds, or people of any ethnicity who belong to the following under-represented groups: disabled people, people with the characteristic of gender reassignment, individuals from lower socioeconomic backgrounds, carers and asylum seekers.&nbsp;Creative Access offers&nbsp;<a href="https://opportunities.creativeaccess.org.uk/career-support-programme" target="_blank">programmes of training, networking and support</a>&nbsp;specifically designed for people from these under-represented groups.

Financial Times

The Financial Times apprenticeship scheme

Closing date: 6th June 2025 at 10amSalary: £37,300 to £39,300 per annum, depending on experienceDepartment/Team: ProductionResponsible to: Associate General ManagerContract: PermanentLocation: Mix of home working and from The Old Vic, 103 The Cut, London, SE1 8NB (min 3 office days)Hours: Full-Time - 40 hours per week, Monday-Friday, although additional hours will be necessary in order to fulfil the requirements of the post. The Old Vic offers the ability to work these flexibly under the guidelines in our Hybrid Working policy. Additional hours may be necessary in order to fulfil the requirements of the post. We are looking for someone who couples brilliant organisational skills with a love of theatre and will be an adaptable and personable team player.The Associate General Manager will work closely with and provide support to the Producer and General Manager on all Old Vic productions, project managing assigned shows on a day-to-day basis for The Old Vic Theatre Company. This role provides an excellent opportunity to be a part of a dedicated and hard-working team, delivering a range of productions in one of the world’s most vibrant and illustrious theatres.&nbsp; Your TeamThe Production team includes the Producer, General Manager, Associate Producer, Associate General Managers, Production Assistants, Casting Assistant, Executive Assistant to the Artistic Director as well as our Technical team, including the Production Director, Technical Services Director, Deputy Production Manager, Head of Stage, Head of Lighting, Head of Wardrobe, Deputy Heads of Stage, Deputy Head of Lighting, Head of Sound, Deputy Head of Wardrobe, Lighting Technician and Stage Chargehand. Areas of responsibilityThe Associate General Manager will be responsible for:Production &amp; Personnel<ul><li>Act as the Project Manager for each assigned production. Including, but not limited to responsibilities of being the lead contact for all internal departments and external contacts, co-producers and contractors; managing relationships and being the point of contact for cast, creatives, stage management and technical teams.</li><li>Working closely with the Production Assistant(s) assigned to the production; whilst keeping the Producer and General Manager fully abreast of the production process, highlighting any potential issues.</li><li>Keep schedules for each show up to date and accurate, liaising with Marketing and Box Office as necessary.</li><li>Ensure clear and regular communication with the Technical team for each production’s requirements as necessary.</li><li>As part of being the lead contact with the show Company Stage Manager, assist with the pastoral care of actors, and creative and production teams.</li><li>Under the supervision of the General Manager manage negotiations, make offers and draft agreements for creative team members, associates, cast, stage management and technical crew as relevant.</li><li>Along with the Production Assistant(s) book audition and rehearsal spaces (internal or external) as needed.</li><li>Working with external Casting Directors and the Casting Assistant, make offers and negotiate actor contracts within budget and in line with respective union collective agreements.</li><li>Manage the contracting of children, including being responsible for any licenses required. Including appointing and supervise any chaperones, arranging payment and petty cash if necessary.</li><li>Keep cast and crew deal summaries up to date at all times.</li><li>Coordinate relevant personnel for all auditions, rehearsals and technical period.</li><li>In collaboration with the General Manager and Theatre Management team ensure all The Old Vic Theatre Company policies are adhered to and communicated to production teams and cast.</li><li>Oversee access requirements for each production including, captioned, BSL, audio described and relaxed performances in collaboration with the FOH manager, Senior Marketing Manager and Education Manager.</li><li>As required, submitting PRS applications and facilitating music clearance for Productions.</li><li>Lead Production team catch ups in the absence of the General Manager and Producer.</li><li>Assist the General Manager with managing and liaising with our insurance broker for all The Old Vic Theatre Company productions and claims.</li><li>Alongside the finance team, assess and help manage the tax status for any freelance The Old Vic Theatre Company staff and oversee all cast, crew and creative team VAT payments.</li><li>Manage the processing of any visa applications and withholding tax with support from the HR team as required.</li><li>Ensure all productions are proposed for Olivier Awards and oversee panellist house seat bookings.</li><li>Be familiar with and keep abreast of changes to relevant union agreements including, British and American Equity, BECTU and MU and the Society of London Theatres (SOLT), making sure that the Production team and the HR team are kept up to date with all and any changes and new rates, policies and regulations</li><li>Be familiar with and keep abreast of pensions policy and changes.</li></ul>Budgets and accounts<ul><li>Assist the General Manager with the preparation of budgets, and then manage their application on productions, operating within them at all times.</li><li>Along with the General Manager and Finance team, ensure the production budget is updated and kept accurate throughout he run of the production and managing its reconciliation at the end of the run, including; preparing final production accounts and royalty statements.</li><li>Oversee purchase orders raised by the Production Assistant(s), ensuring this is done efficiently, that costs are always within budget and that the General Manager is kept informed of spend at all times.</li><li>Oversee the Production Assistant(s) in ensuring freelance staff invoices are processed smoothly, monitor and arrange sign-off of weekly petty cash returns from the Company Stage Manager, keeping the General Manager and agents regularly informed of any delays or issues.</li><li>Work with the Finance team on prompt payment of royalties and generating statements.</li></ul>Press and Marketing<ul><li>Support and oversee the press night process (lead by the Production Assistant(s)), planning and delivery on guests lists, invitations, seating plan and delivery of the evening – in conjunction with the box office, events, marketing and press team.</li><li>Work closely with the Marketing Managers to ensure that all contractual billing and approvals are adhered to. Ensuring that the marketing team provide with adequate time to sign offs.</li><li>Be responsible for proofing show billing, programmes, print and website copy.</li><li>Provide information to Marketing and Box Office for show setups and proof all documents and plans.</li><li>Coordinate press &amp; marketing requests for content and access to the cast and creative team to help facilitate the marketing and press companies on productions.</li><li>Attend weekly Marketing meetings.</li></ul>General<ul><li>Attend all team and production meetings as required.</li><li>Attend rehearsals, technical period, previews and performances as required – including evening and weekend work as required by production schedules.</li><li>Keep track of and update templates for budgets and contracts.</li><li>Represent the Production department at events and performances as required.</li><li>Undertake special projects and assignments as required, for example play readings and workshops.</li><li>Comply with The Old Vic’s Equal Opportunities, Health &amp; Safety, Sustainability and all other Staff Handbook policies at all times.</li><li>Arrange logistics and manage and monitor budgets for workshops as required.</li></ul>This is not an exhaustive list of duties and the Theatre's management may, at any time, allocate other tasks which are of a similar nature or level. Knowledge, skills and experienceEssential<ul><li>Experience in a similar role, with at least 2 years' work experience in professional theatre producing and/or general management.</li><li>Experience of working in theatre, coupled with a strong interest and understanding of the wider theatre industry.</li><li>Confident, positive and approachable when dealing with a wide range of staff and artists at all levels, including a knowledge of etiquette and protocol in dealing with high-profile individuals.</li><li>A proven ability to deal diplomatically, sensitively and discretely with information, which may often be confidential.</li><li>A keen eye for detail, able to work with accuracy and speed in an environment with competing demands, with good prioritisation and organisational skills</li><li>Experience editing and negotiating a variety of staff and artist contracts and other documents.</li><li>Practical working knowledge and experience of SOLT union agreements, including British (and American) Equity, BECTU and the Musicians Union.</li><li>Experience of working with production budgets and payroll.</li></ul> We welcome and encourage applications from candidates who are under-represented in the creative industries.&nbsp;Please state in your application that you found this role through Creative Access.&nbsp;

The Old Vic Theatre

Associate general manager

Closing date for applications: Friday 6th June at 5pmReports to: &nbsp;Head of Retail OperationsDepartment: OperationsLocation: London, Hybrid (2 days per week in the office)Salary: £28,000 pa &nbsp; Are you curious, calm under pressure, and excited by the idea of making life-enhancing ideas more accessible? We’re hiring a retail operations executive to join our passionate team and keep the wheels of our global retail activity turning smoothly.We are a passionate group of people on a mission to bring about healing, growth, calm and self-understanding. We derive our ideas from psychology, psychotherapy, philosophy, art and culture. As our name – The School of Life – suggests, we are here to teach people how life can be lived and what can make it truly worthwhile, effective and fulfilling. We do this via our articles, books, app, films, therapeutic services and corporate offering. &nbsp;Our values:&nbsp;<ul><li>We embrace a growth mindset</li><li>We combine passion for our purpose with commercial excellence</li><li>We are curious and open-minded in pursuit of the answers</li><li>We all roll up our sleeves</li><li>We are authentic</li></ul>&nbsp;In this role you will work to support the global retail operations of TSOL, ensuring smooth and efficient order processing and fulfilment for customers, the effective merchandising of online platforms and working to ensure we have the operational excellence to back up the work of our sales teams.&nbsp; Key Responsibilities:End-to-end sales operations<ul><li>Ensure we have the necessary process in place for efficient order processing</li><li>Shipping and documentation support for sales team where necessary</li><li>Support to ensure special customer requirements (e.g. repacking / labelling / split shipment) are captured and actioned</li><li>Circulating regular updates on stock availability to internal stakeholders</li><li>Support with reporting on high/overstock risk areas to Sales to enable active mitigation through targeted sales activity</li></ul>Merchandising<ul><li>Support Head of Retail Operations with merchandising TSOL webshop when required</li><li>Support with TSOL physical shop / pop-ups as required</li></ul>Freight management Sales order management<ul><li>Ensure shipping of B2B orders is efficient, and work to find continual process and cost improvements</li><li>Keep Sales team informed of shipment status proactively, to avoid customers chasing Sales if shipments are delayed</li></ul>Purchase order management<ul><li>Liaise between suppliers and freight forwarders to ensure smooth and timely deliveries</li><li>Booking in inbound freight with warehouse</li><li>Updating internal systems to reflect delivery quantities</li></ul>Warehouse management Support the Head of Retail Operations with day-to-day warehouse management, including:<ul><li>Ensuring visibility of inbound deliveries</li><li>Booking in deliveries with warehouses</li><li>Tracking 3PL performance against KPIs</li><li>Prioritisation of orders / communication with Sales to ensure no surprises</li><li>Ensuring invoicing accuracy and support Finance team with any queries</li></ul>Retail Customer Service&nbsp;<ul><li>Supporting external Customer Service team across B2B / B2C enquiries</li><li>Responsible for B2B customer service, ensuring customers are supported and issues with orders (deliveries, invoicing, returns) are dealt with in a timely manner</li><li>Support on B2C customer service, managing backend: resends, refunds and liaising between the warehouse and Customer - Service agency to ensure smooth process and timely turnarounds</li></ul>Support with projects as required &nbsp;Knowledge, skills and experience<ul><li>Strong attention to detail</li><li>Organised and efficient, with ability to work on multiple tasks at the same time</li><li>Proactive attitude and good initiative</li><li>Curious, with an appetite to learn new skills, and a natural problem solver</li><li>Strong communication skills</li><li>At least one year of work experience, ideally in an Operational role within retail, publishing, eCommerce, logistics or customer service</li><li>Working knowledge of Excel (and full MS Office)</li><li>Experience working with project management / inventory management / warehousing systems a plus, but not essential</li></ul> &nbsp;What you’ll get from us…<ul><li>To work with a diverse team of brilliant minds!</li><li>A culture focused on growth &amp; personal development</li><li>£500 per year learning budget</li><li>Hybrid working model with 2 days work in our office on Chancery Lane &amp; use of other office spaces in the group</li><li>Use of office gym, classes &amp; sauna</li><li>25 days holiday + bank holidays</li><li>Up to 5 days per year unpaid holiday</li><li>1 extra holiday day per year of service (after 2 years service, capped at 3 additional days)</li><li>Copies of all our newly released books</li><li>Participation in The School of Life personal development sessions</li><li>Enhanced Maternity pay</li><li>Socials &amp; Lunches</li></ul>The School of Life is committed to creating a diverse environment. All qualified applicants will receive consideration for employment without regard to race, colour, religion, sex, gender identity or sexual orientation. Application process:Deadline for applications 5pm, Friday 6th June. Please send a cover letter with your CV, including a short overview of why you would like to work for The School of Life.We welcome and encourage applications from candidates who are under-represented in the creative industries.Please make sure that you state in your application that you found this role via Creative Access.

The School of Life

Retail operations coordinator

The closing date for applications is 23:59 on Thursday 29 May 2025&nbsp;First interviews will be held in the week commencing 09 June 2025 (second interviews TBC)Salary: £42,480 per annum&nbsp;Fixed term contract: June 2025 – November 2025&nbsp; Help shape the visual identity of the UK’s flagship film festival and deliver bold, engaging design and print assets that bring the BFI London Film Festival's programme to life.We are looking for a Studio and Branding Lead to lead on the provision of all design and print production requirements across the BFI London Film Festival (in consultation with the Studio Manager), ensuring best value to quality ratio and timely delivery of marketing outputs, and to liaise with internal and external stakeholders and oversee the branding, design and production of all key digital and print assets across Festival galas, events and venues.&nbsp;BFI London Film Festival (LFF) runs an Industry &amp; Professional Programme of screenings, events, networking and informal marketplace for around 3,500 film industry professionals alongside the main public festival.&nbsp; &nbsp;Key responsibilities include:&nbsp;<ul><li>Working with the Festivals Marketing team to scope and assess design requirements from key internal stakeholders at all levels, negotiating and proposing solutions, and project managing their timely delivery</li><li>Setting and reviewing priorities and managing the workflow of design projects according to the design schedule and LFF marketing project plan </li><li>Managing internal and external stakeholder relationships at a senior level, negotiating effectively to ensure relationships remain fruitful and friendly. Particularly key will be building a close and positive working relationship with the LFF Production team</li><li>Overseeing the coordination of internal and external feedback, approvals and delivery of design and branding, in close collaboration with the Festivals Marketing team&nbsp;</li></ul> &nbsp;We are looking for candidates who have:&nbsp;<ul><li>Demonstrable knowledge of and experience in print/design/production management or marketing account handling</li><li>Proven experience and expertise to lead on digital-first, results-driven and creative marketing campaigns and activities in the film, TV, XR / immersive, gaming, culture, arts or media sector</li><li>Excellent project management experience with the ability to establish, implement and refine processes and schedules and to set and manage shifting priorities</li><li>Strong organisational and project management skills and the ability to prioritise, to delegate, to meet deadlines and to manage several projects simultaneously&nbsp;</li></ul>A full list of responsibilities and minimum requirements can be found in the job description.&nbsp; &nbsp;About the BFI&nbsp;&nbsp;We are a cultural charity, a National Lottery distributor, and the UK’s lead organisation for film and the moving image. We believe society needs stories. Film, television and the moving image bring them to life, helping us connect and understand each other better. We share the stories of yesterday, search for the stories of today, and shape the stories of tomorrow.&nbsp; &nbsp;Benefits&nbsp;<ul><li>25 days annual leave (rising to 30 with service) + bank holidays + the option to buy up to 5 extra days of annual leave&nbsp; </li><li>Additional paid time off between Christmas and New Year </li><li>BFI pension scheme with 5% employer contribution </li><li>BFI Childcare Scheme, where we contribute to childcare costs for children up to the age of 14 </li><li>Enhanced pay for Maternity &amp; Paternity leave </li><li>Complimentary tickets to BFI Southbank &amp; IMAX screenings and events </li><li>Free BFI Player subscription + discount on BFI DVDs, books, merchandise, and film tickets&nbsp;</li></ul>&nbsp;Plus many more, which can be found in our Working at the BFI information pack on our website.&nbsp;&nbsp;&nbsp;We support diversity and inclusion, and as an organisation recognise that we need to address under representation within our teams. As such we strongly welcome and encourage applicants from our under-represented groups; who identify as D/deaf and disabled and/or are Black and Global Majority. We guarantee a place at the first stage selection process to our under-represented groups who meet our minimum requirements.Depending on the volume of applications, you may be asked to complete a small task or attend a pre-interview screening call to further to assist the hiring team in shortlisting for this role. In this instance, interview dates may be subject to change.We welcome and encourage applications from candidates who are under-represented in the creative industries.Please make sure that you state in your application that you found this role via Creative Access.

BFI Southbank

BFI Stephen Street

BFI National Archive

British Film Institute

Welcome to the BFI

Austenomics: BFI Video Essay

BFI Flare LGBTQIA+ Film Festival Trailer 2022

LFF studio and branding lead

Closing date for applications: Thursday 5th June at 11.59pmContract: Full-time permanent positionSalary range: &nbsp;£33,000 - £40,000 dependent on experience &nbsp; &nbsp;We are looking for a creative and enthusiastic Marketing Manager to manage industry-best, audience-led campaigns for titles across our recently-launched fiction and non-fiction commercial division. You will be full of ideas and energy, ready to become a key part of the Marketing team and driving high-impact marketing campaigns, community development and brand growth.Winner of Publisher of the Year at the 2025 British Book Awards, Bloomsbury is the UK’s leading independent publisher and unique in the world of publishing. We have the commercial clout of a big conglomerate and the nimble energy of an indie that allows us to publish with attentiveness and creativity. It is an exciting time to join Bloomsbury General; the commercial heart of Bloomsbury, we launched just two years ago and since then we have published six Sunday Times bestsellers,&nbsp;the bestselling paperback original of 2024 and we are launching our new SFF imprint, Archer, to sit alongside our already well-established crime/thriller imprint, Raven. The Marketing Manager will work across a range of fiction and non-fiction, for readers seeking entertainment and escape, and be an integral part of helping to shape marketing strategy for the division, reaching new audiences and building effective strategies for brands, imprints, communities and channels.Our list is home to a wide range of bestselling authors and brands, including&nbsp;Samantha Shannon, Stuart Turton, Laura Purcell, the cast and creators of&nbsp;Ghosts&nbsp;and&nbsp;Gladiators, Penny Lancaster, Alan Moore, Brittney Arena, Ali McNamara, Katie Fforde, Alex Aster, Bal Khabra and many more.&nbsp;As a team we are active in acquiring and publishing showstopping talent across multiple genres and this role will be a key voice in this conversation. You’ll report to the Head of Marketing, General Division, and join an award-winning, collaborative and friendly marketing team that works across Fiction, Non-Fiction, Cookery and Lifestyle titles, at a pivotal time in Bloomsbury’s growth.&nbsp; &nbsp;The role<ul><li>Creating, implementing, managing and analysing campaigns which use the full marketing mix to bring our titles to life for readers across all formats</li><li>Contributing to conversations around acquisitions with strong up-to-date trend and market awareness, producing top-quality acquisition pitch materials and attending pitch meetings</li><li>Clearly, confidently and effectively communicating strategy and updates with all key stakeholders, internal and external</li><li>Driving and leading campaigns that you are responsible for, working closely alongside&nbsp;editorial, publicity and sales colleagues</li><li>Contributing to brand and imprint strategy, working closely with the Head of Marketing (General) to set and meet KPIs across channels and communities, also working alongside our in-house digital team to showcase General titles on company channels</li><li>Creating engaging and on-point content, ranging from sales materials to consumer-facing assets, from online to outdoor; working with designers and other creative professionals to deliver creatives and visual materials on time and within budget; liaising with external media agencies</li><li>Collaborating with authors and their teams to develop enticing promotional strategies for book campaigns and beyond</li><li>Developing and deepening Bloomsbury’s strong relationship with influencers</li><li>Proactively pursuing partnerships with brand partners, media partners and key stakeholders to increase brand visibility</li><li>Collaborating with global Bloomsbury marketing teams to ensure joined-up global campaigns</li></ul> &nbsp;Knowledge, skills and experience&nbsp;<ul><li>Strong marketing experience – ideally within commercial publishing</li><li>Experience working and communicating with platform authors and their teams</li><li>An excellent understanding of how to reach a range of audiences, across genres</li><li>Creative vision, with excellent negotiation and persuasion skills to see that vision through and bring everyone on the journey</li><li>Superb visual and copywriting skills, with an impeccable eye for detail and design</li><li>Good understanding of and passion for commercial fiction and non-fiction in particular, media platforms, and digital marketing opportunities</li><li>An understanding of and flair for creating engaging social media promotion</li><li>Excellent organisation, decision-making and multi-tasking skills, able to work on several projects simultaneously to tight deadlines</li><li>Strong interpersonal skills and ability to communicate effectively to stakeholders at all levels</li><li>Experience cross-promoting with external brands and organisations</li></ul>&nbsp;&nbsp;The role is based at our London office 50 Bedford Square, London, WC1B 3DP on a hybrid-working pattern of 2 days office based / 3 days home based (or fully office based if preferred).&nbsp; Allocated office days for this role are Mondays and Tuesdays.Please apply with a CV and covering letter addressed to Human Resources (Word or PDF format only) via the ‘APPLY NOW’ button detailing how you meet the requirements outlined above for this role by midnight, 5th June 2025.For best results, please use a desktop to apply as some mobile browsers may not fully support the application portal.&nbsp;Bloomsbury reserve the right to close the role early if we exceed the required number of applications&nbsp;Bloomsbury BenefitsAs well as a fantastic opportunity to join a global award-winning organisation, Bloomsbury offers the following competitive benefits package:Holidays<ul><li>25 days holiday</li><li>3.5 days Christmas company holiday</li></ul>&nbsp;Other Benefits<ul><li>Two paid Personal Wellness Days</li><li>Flexible Fridays – take Friday afternoon off by working an additional&nbsp;3 hours and 30 minutes earlier in the week</li><li>Work Anywhere Fortnight - For two weeks of any calendar year. The minimum period for Working Anywhere is one week, the maximum period is two weeks.</li><li>Season Ticket Loan</li><li>Share Save Scheme</li><li>AXA Healthcare Plan (Private Medical Insurance)</li><li>Peppy Health App</li><li>In-house Doctor</li><li>Eye Care Voucher Scheme</li></ul>Bloomsbury is a place where anyone of any background, race, ethnicity, religion, sexuality, gender identity, age, ability, or socio-economic status can thrive, feel comfortable, and be heard and accepted. We are an equal opportunities employer and welcome applications from all sections of the community.Please include in your application that you found this role through Creative Access.We are willing to make any reasonable adjustments throughout the recruitment process, please flag to the recruitment team if requiredApplicants must have the legal right to work in the UK.&nbsp;&nbsp; &nbsp;

Head Office - London

Bloomsbury Publishing Plc

Bloomsbury Publishing UK: Bedford Square Office

Marketing manager

The closing date for applications is 23:59 on Thursday 29 May 2025&nbsp;First interviews will be held in the week commencing 23rd JuneSalary: £31,326 per annumFixed Term Contract: 04 August – 31 October 2025&nbsp;&nbsp;The BFI is looking for two junior press officers who, working as an integral part of the Festival PR team, will support the delivery of the PR campaign for a world class Festival, working with the in-house Press team as well as the Delegate Services team and marketing and programme colleagues.&nbsp;We are a cultural charity, a National Lottery distributor, and the UK’s lead organisation for film and the moving image. We believe society needs stories. Film, television and the moving image bring them to life, helping us connect and understand each other better. We share the stories of yesterday, search for the stories of today, and shape the stories of tomorrow.&nbsp;BFI London Film Festival (LFF) runs an Industry &amp; Professional Programme of screenings, events, networking and informal marketplace for around 3,500 film industry professionals alongside the main public festival.&nbsp; &nbsp;Key responsibilities include:&nbsp;<ul><li>Working with the BFI Festival PR Manager and Press Officer across press delegate ticket allocation for public tickets, including ticket ballot applications on the website; organising ballot applications within an extremely tight deadline and contacting all successful applicants </li><li>Working closely with the BFI Festivals PR Manager and the Press Officer, on all activities facilitating the press and publicity campaign for the BFI London Film Festival, in the lead up to as well as during the Festival itself </li><li>Give support in managing general press accreditation enquiries whilst the application cycle is open </li><li>Assisting on specific LFF PR activities, events and projects (such as the LFF Critics Mentorship Programme and Filmmaker Afternoon Teas), where appropriate and required, to include media liaison, email correspondence and event support&nbsp;</li></ul> &nbsp;We are looking for candidates who have:&nbsp;<ul><li>Demonstrable and significant previous administrative experience gained within a cultural organisation in a similar PR or comms role </li><li>Demonstrable experience in information and data management </li><li>Demonstrable organisational skills with the ability to prioritise and to manage and meet deadlines&nbsp;</li></ul>A full list of responsibilities and minimum requirements can be found in the job description.&nbsp;&nbsp;&nbsp;Benefits&nbsp;<ul><li>25 days annual leave (rising to 30 with service) + bank holidays + the option to buy up to 5 extra days of annual leave&nbsp; </li><li>Additional paid time off between Christmas and New Year </li><li>BFI pension scheme with 5% employer contribution </li><li>BFI Childcare Scheme, where we contribute to childcare costs for children up to the age of 14 </li><li>Enhanced pay for Maternity &amp; Paternity leave </li><li>Complimentary tickets to BFI Southbank &amp; IMAX screenings and events </li><li>Free BFI Player subscription + discount on BFI DVDs, books, merchandise, and film tickets&nbsp;</li></ul>&nbsp;Plus many more, which can be found in our Working at the BFI information pack on our website.&nbsp;&nbsp;We support diversity and inclusion, and as an organisation recognise that we need to address under representation within our teams. As such we strongly welcome and encourage applicants from our under-represented groups; who identify as D/deaf and disabled and/or are Black and Global Majority. We guarantee a place at the first stage selection process to our under-represented groups who meet our minimum requirements.&nbsp;&nbsp;&nbsp;Depending on the volume of applications, you may be asked to complete a small task or attend a pre-interview screening call to further to assist the hiring team in shortlisting for this role. In this instance, interview dates may be subject to change.&nbsp;&nbsp;

LFF junior press officer (x2)

Closing date:&nbsp;Midnight, Thursday 05 JuneInterviews:&nbsp;Monday 23, Tuesday 24, Wednesday 25 JuneContract:(ICF39) - 1 X Fixed term contract until 27 March 2026, 35 hours per week (Full Time)(ICF46) - 1 X Fixed term contract until 31 October 2025, 28 hours per week(Arts Council also recognises the benefit of flexible working as a valued part of the way we work, and welcome applications from individuals who require flexibility)Salary:&nbsp;£27,401 per annum (pro-rata for part time), plus benefits including a final salary pension scheme, generous annual leave, and flexible and hybrid working.Location:&nbsp;Manchester&nbsp;(The role will be based at our Manchester office, however we are operating a hybrid way of working and support our staff to make use of remote working options when combined with regular on site contact days with other members if the team, normally 1-2 days a week.)&nbsp; Help fund creativity and culture across England – join Arts Council as an assistant and play a key role in supporting the arts, with flexible working, great benefits, and a mission-driven team.As an Assistant (Grant Management), you will be responsible for providing a consistent and high-quality grant management service and associated functions. You will provide advice and support to applicants and staff across the organisation and deliver assessment and monitoring services. In addition, you'll work with post holders across the Chief Operating Officer’s unit, relationship managers, Officer, Compliance and Improvement, the Senior officer and officers in the Business Support team.&nbsp; ResponsibilitiesIf you were already in this Assistant (Grant Management) role, here are some of the areas you would have been working in this week:<ul><li>Providing entry management, conducting eligibility checks, and providing risk checks</li><li>Supporting our decision-making processes for all of our funding programmes</li><li>Managing the post-decision grant process, including recording decisions (where applicable) and monitoring grant conditions and grant closure</li><li>Implementing contact management checks on all applications received and reviewing contact details in line with the fraud policy</li></ul>If you’re looking to make a positive impact and create change, possessing an inclusive and committed approach, you'll be rewarded with an excellent salary of £27,401 per annum and a benefits package. Arts Council England provides world-class benefits. Some, not all, of our benefits can be found below:<ul><li>A final salary pension scheme, 25 days plus bank holidays and annual winter closure (three days between Christmas and New Year) plus one additional day for each year of service up to 30 days</li><li>We also offer a buy/ sell annual leave option and flexible and hybrid working and well-being support</li><li>We also offer exclusive savings on the high street and online, as well as holidays, gym membership, dining out and much more.</li></ul>&nbsp;Equality Diversity and Inclusion Statement: Arts Council are committed to being an inclusive employer, building an inclusive workplace, and recruiting a workforce that is as diverse as the communities we serve. However, you identify, and whatever background you bring with you, we welcome you to apply for a role at Arts Council.If there are any adjustments that would support you in your application, please do let us know when you apply. If you are disabled, Evenbreak are able to provide support with your application. For further information please visit their website&nbsp;<a href="https://hive.evenbreak.co.uk/" target="_blank">here</a>Disabled, D/deaf and/or neurodivergent people and those from Black, Asian and Ethnically Diverse backgrounds are underrepresented in our workforce so we particularly encourage applications from people in these groups.About us:&nbsp;Arts Council offers a range of benefits to our employees including hybrid and flexible working, a generous annual leave allowance and the Arts Council Retirement Plan - a final salary scheme. To find out more, click&nbsp;<a href="https://www.artscouncil.org.uk/working-us/benefits" target="_blank">here</a>.Our Code of Ethics requires that employees of the Arts Council are not able to receive an Arts Council grant, investment or loan funding - either in person, as a member of a partnership, or for any organisation they own. There are also limitations on board or CEO positions employees can hold in organisations we fund. For more information on this, please talk to the recruiting manager or contact&nbsp;<a href="mailto:recruitment@artscouncil.org.uk" target="_blank">recruitment@artscouncil.org.uk</a>We believe our recruitment process should be inclusive and transparent. Find out what to expect with our application&nbsp;<a href="https://artscouncilengland-my.sharepoint.com/:b:/g/personal/catherine_kane_artscouncil_org_uk/Eb75zAi8uDxFhhBbkFOmReABiLZsa5eqio-1OeGns5lgLA?e=gbgIFG" target="_blank">guidance</a>&nbsp;and more about our commitment to diversity on our website&nbsp;<a href="https://www.artscouncil.org.uk/developing-creativity-and-culture/diversity" target="_blank">here</a>.&nbsp;Please note: We do&nbsp;NOT&nbsp;accept CVs or cover letters as part of our recruitment process. If you require any documentation in an alternative format, please contact&nbsp;<a href="mailto:recruitment@artscouncil.org.uk" target="_blank">recruitment@artscouncil.org.uk</a>&nbsp;&nbsp;

Arts Council England

2x assistants, Grant Management

Scheme dates: September - November 2025 Applications are now open for the Felicity Bryan publishing mentorship scheme, created in honour of the pre-eminent literary agent Felicity Bryan, who died in June 2020.&nbsp;Felicity was unequivocally one of the most successful and esteemed literary agents of the last few decades. She established her own literary agency in Oxford in 1988, after a career as a journalist and then as a director at Curtis Brown in London. Her clients at that time included Mary Berry and Rosamunde Pilcher, and her burgeoning commercial and critical success gave her the basis to take on new agents and staff for what has since become the largest literary agency outside London. Felicity was awarded an MBE in the 2020 New Year’s Honours for her services to publishing. She died from stomach cancer in June 2020.The scheme is aimed at anyone from an underrepresented background who is interested in pursuing a career in the publishing industry. It is designed to be accessible to anyone, no matter their circumstances, and to give a stimulating and varied introduction to the many aspects of publishing. The mentee will be paid the Oxford Living Wage for the duration of the mentorship and there will be a stipend available to cover the cost of accommodation. The scheme is generously supported by Felicity’s family, and reflects her own energetic nurturing of talent and potential in young people starting out on their careers.The mentorship will be based primarily at the Felicity Bryan Associates offices in North Oxford. It will also include a range of industry placements at our partner organisations, including:<ul><li>Little, Brown Book Group</li><li>Profile Books</li><li>Andrew Nurnberg Associates</li><li>Sylvie Zannier Literary Scouting</li><li>Forage Literary</li><li>Daunts Books Summertown</li></ul>The scheme supports one mentee; however, shortlisted candidates will be offered six months of one-to-one virtual mentoring with a member of the FBA team, who can offer advice about the industry, job applications and who will also help review CVs and cover letters. Application processTo apply you need to answer two short questions and send us your most up-to-date CV.These questions are designed to give us a bit a more information about you, your passion for books and why you feel this mentorship would be beneficial to you.Applications are open from Thursday 22nd May 2025 until midnight on Thursday 19th June 2025. Please click the 'Apply' button to email Ria at Felicity Bryan to send your application.Longlisted candidates will be invited for interview.Shortlisted candidates will be asked to complete a short written task. Guidance on the task will be given after the interviews with the opportunity to ask questions on anything you are unsure on.The successful candidate will start on Monday 1st September 2025. Shortlisted candidatesAlongside the 3-month paid mentorship, we also offer one-to-one virtual mentoring sessions over six-months to those candidates shortlisted for the mentorship. Each shortlisted candidate will be paired with a member of the FBA staff and can get feedback on CVs, cover letters, as well as having the opportunity to ask questions about the industry. How to applyTo apply, please send the below in one document (word or PDF) by clicking the 'Apply' button:<ul><li>Your most up-to-date CV</li><li>Your answers to the below questions&nbsp;</li></ul>1. Tell us about a book you read recently (published in the last two years) that you enjoyed. What made it stand out to you? (maximum 300 words)2. Why do you want to apply for this mentorship scheme? Your answer should include information about why you feel you are from a background underrepresented in publishing and also what you want to learn about the publishing industry.&nbsp;(maximum 300 words) EligibilityApplications for the Felicity Bryan Mentorship Scheme are open to anyone over 18, based in the UK or Ireland, who considers themselves under-represented in the publishing industry on the grounds of ethnicity, disability, sexuality, gender, class or any other circumstances.Please make sure that you state in your application that you found this role via Creative Access.

Felicity Bryan Associates Literary Agency

Felicity Bryan Associates

The Felicity Bryan publishing mentorship scheme

Are you looking to pursue a career in the talent management industry?<a href="https://avalonuk.com/" target="_blank">Avalon</a>&nbsp;is a multi-award-winning talent management, television production and live promotion group with offices in London, Los Angeles and New York. Avalon, Artists Rights Group and The Agency together represent a diverse and distinctive roster of artists including actors, comedians, writers and directors, among them Academy Award, BAFTA, Emmy, Tony and Olivier Award-winners. You can find more information&nbsp;<a href="https://avalonuk.com/" target="_blank">here</a>.This exciting 3-month internship will provide you with a broad introduction to the industry.&nbsp; You will work alongside the core areas of Television, Distribution, Press, Marketing &amp; Digital, Live and Business Affairs, with lots of hands-on experience, providing the perfect springboard upon which to develop your career.&nbsp;&nbsp; Responsibilities<ul><li>Gain key understanding into how the Management division works with other core areas of the business</li><li>Support the wider talent management team across their daily duties</li><li>Liaise with our Promotions/Touring department across our clients’ live work, including keeping a note of all gigs and payments</li><li>Liaise with our Press team to update them on clients’ activities</li><li>Accompany clients on shoots/TV recordings and live shows where applicable</li><li>Organise client show industry invitations</li><li>Assist in the day-to-day running of the office and administration</li><li>Arrange client and directors’ travel and itineraries</li><li>Monitor upcoming client appearances</li><li>Invoice on behalf of clients and chase payments</li><li>Attend staff training sessions and team meetings</li></ul> Knowledge, skills, and experienceWhat we’re looking for:<ul><li>Keen interest in the entertainment industry (comedy, television, film, theatre)</li><li>A desire to establish a career in the talent management industry</li><li>Confident, enthusiastic with a self-starter approach</li><li>Hard-working with strong attention to detail</li></ul>Our internships are specifically designed as part of our ongoing commitment to diversity and inclusion, and as such we encourage applications from individuals with no prior connections in the industry. We want to open the door to fresh, new, and diverse voices who might otherwise find it hard to break into the industry.If you’ve got a genuine passion for talent management, we’d love to hear from you. &nbsp;To applyPlease upload your CV and answers to the application questions as one document (applications without the answers to the questions below will not be considered).&nbsp; Don’t worry about sounding perfect — we’re not looking for polished essays or slick answers. We want to hear your authentic voice. Be yourself, and be honest. We’re looking for enthusiasm, originality, and potential. Ensure you enter &nbsp;‘Talent Management Internship' in the subject heading by clicking the 'Apply' button.Please include in your application that you found this role through Creative Access.Unfortunately, due to the high number of applications, we’ll only be able to respond to successful candidates.&nbsp;Please answer the following application questions:<ol><li>What do you know about Avalon, and why is this internship important to you?</li><li>Tell us about a TV show, sketch, or comedy moment that made you laugh out loud — the kind you had to share with someone else. What made it so memorable?</li><li>Imagine you’ve been asked to help create a new comedy or entertainment show. What’s your idea, and why do you think people would want to watch it?</li><li>Why do you want to work in talent management and why now?</li><li>Which comedy or entertainment figure (past or present) would you love to shadow for a day — and what would you hope to learn?</li></ol>&nbsp;Our core values help define our purpose and are at the essence of what we do and shape our culture. You can read about our values&nbsp;<a href="https://avalonuk.com/avalon-core-values/" target="_blank">here</a>.

Avalon

Talent management internship

Are you passionate about pursuing a career in the television industry and looking for your route into, or next step up, the TV ladder?Avalon is a multi-award-winning talent management, television production and live promotion group with offices in London, Los Angeles and New York. Avalon, Artists Rights Group and The Agency together represent a diverse and distinctive roster of artists including actors, comedians, writers and directors, among them Academy Award, BAFTA, Emmy, Tony and Olivier Award-winners. You can find more information&nbsp;<a href="https://avalonuk.com/" target="_blank">here</a>.Our 3-month internship will give you hands on experience across Avalon’s Scripted Development and Production team. We aim to be flexible with our approach so the successful candidate can pursue areas of particular interest during the placement. &nbsp;ResponsibilitiesDevelopment<ul><li>Gain a broad overview of the development process</li><li>Understand the approach to editorial/tone/style across different genres</li><li>Contribute to development meetings</li><li>Assist with setting up client and broadcaster meetings</li><li>Scouting potential talent</li><li>Assist reading/filtering/breaking down unsolicited scripts</li><li>Writing book reports and script reports</li><li>Monitor upcoming client appearances/industry trends</li><li>Attend client/non-client performances</li></ul>Production<ul><li>Shadow on active productions</li><li>Gain understanding of the key roles within production</li><li>Attend shoot days</li><li>Gain experience of the post-production process</li></ul> &nbsp;Knowledge, skills and experienceWhat we’re looking for:<ul><li>Keen interest in the Television Industry and specifically scripted comedy and drama</li><li>Confident, enthusiastic with a self-starter approach</li><li>Hard working attitude</li></ul>Our internships are specifically designed as part of our ongoing commitment to diversity and inclusion, and as such we encourage applications from individuals with no prior connections in the industry. We want to open the door to fresh, new, and diverse voices who might otherwise find it hard to break into the industry.If you’ve got a genuine passion for scripted TV, we’d love to hear from you &nbsp;To applyPlease upload your CV and answers to the application questions as one document (applications without the answers to the questions below will not be considered).&nbsp; Don’t worry about sounding perfect — we’re not looking for polished essays or slick answers. We want to hear your authentic voice. Be yourself, and be honest. We’re looking for enthusiasm, originality, and potential. Ensure you enter &nbsp;‘Scripted Internship' in the subject heading by clicking the 'Apply' button.Please include in your application that you found this role through Creative Access.Unfortunately, due to the high number of applications, we’ll only be able to respond to successful candidates. &nbsp;Please answer the following application questions:<ol><li>What do you know about Avalon, and why is this internship important to you?</li><li>Tell us about a TV show, sketch, or comedy moment that made you laugh out loud — the kind you had to share with someone else. What made it so memorable?</li><li>Imagine you’ve been asked to help create a new comedy or entertainment show. What’s your idea, and why do you think people would want to watch it?</li><li>Why do you want to work in scripted TV and why now?</li><li>Which comedy or entertainment figure (past or present) would you love to shadow for a day — and what would you hope to learn?</li></ol>Our core values help define our purpose and are at the essence of what we do and shape our culture. You can read about our values&nbsp;<a href="https://avalonuk.com/avalon-core-values/" target="_blank">here</a>.

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