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📍Location: London - Hybrid remote (1-2 days per week in our East-London based office)📆 Closing date: 5pm, Friday 18th July 2025💰 Salary: £50,000- £60,000 DOE&nbsp; &nbsp;Lead and support the growing video team at PinkNews!PinkNews is the world’s largest LGBTQ+ publisher, one of the world’s largest social video publishers and a key platform for Gen Z entertainment and internet culture content. Our multi-award-winning content reaches a growing audience of over 200M people each month, highlighting our position as a leader in the industry.&nbsp;We’re looking for a dynamic Executive Producer to lead and support our growing video team at PinkNews. You’ll oversee content production and publishing and manage Snap channels to ensure our output is impactful, timely and aligned with the wider PinkNews mission. This role blends hands-on leadership, journalism and social strategy, offering the opportunity to shape video content that informs, inspires and entertains.The Executive Producer reports into the Head of Video and will be a great communicator and collaborator as well as being confident, with lots of creative ideas and industry knowledge. You’ll be working cross-departmentally with our editorial, video, social, commercial and events teams. As a natural leader you will provide motivation and support to the video team, line managing and mentoring team members. This role will work on shifts across the week and weekends, working a maximum of 1 in 4 weekends.As PinkNews expands on to new platforms and into new territories, our content, products and services will deepen our relationship with the tens of millions of people who engage with our content every month, as well as establishing relationships with a whole new audience - and our video content is central to our mission to inform, inspire change and empower people to be themselves. &nbsp;Key Responsibilities:<ul><li>Commission, oversee production&nbsp;and&nbsp;publish&nbsp;video content for PinkNews' owned and operated channels including, but not limited to Snapchat, TikTok, Youtube, Instagram and Facebook</li><li>Generate headlines and captions for content</li><li>Provide direct line management of team members, taking an active role in their development and progression Lead on the production and publishing&nbsp;of creative and video concepts across all of PinkNews' channels including scriptwriting, editing and producing content</li><li>Be proactive in leading group learning sessions, upskilling and knowledge sharing across the team</li><li>Working with the Head of Video, develop and implement a video content and production strategy across all PinkNews platforms</li><li>Provide day-to-day management of producers; resource planning, delegating, assigning tasks, reviewing work, providing feedback on edits</li><li>Manage up to 5 Snapchat shows, ensuring their success and proactively identifying areas of opportunity</li><li>Generate ideas and deliver branded content campaigns for external partners</li><li>Work with influencers, talent and external contributors for interviews and content collaborations</li><li>Monitor and track performance and trends to provide monthly insights into what content is resonating with our audience</li><li>Film and edit video content using Adobe Premiere, Photoshop and After Effects</li><li>Be an inspiring leader and support the development of our production team</li><li>Innovate our video output ensuring we are staying at the forefront of video journalism and storytelling</li><li>Be the final line of responsibility and legal checks&nbsp;for content&nbsp;</li></ul> &nbsp;Successful candidates will demonstrate:<ul><li>Minimum of 5 years relevant experience, preferably within publishing/ journalism</li><li>In-depth understanding of social video publishing</li><li>Expert media law knowledge</li><li>Keen journalistic eye</li><li>Expert scriptwriting</li><li>Proficiency in Adobe Premiere Pro</li><li>Adobe After Effects skills, desirable</li><li>Sound knowledge of media law</li><li>Experience of line managing and supporting the development of junior team members</li></ul> &nbsp;The Package:<ul><li>🌴 35 days annual leave per year</li><li>🎂 An extra day off for your birthday</li><li>🧠 24/7 access to mental health support</li><li>💬 Instant access to regular counselling &amp; therapy sessions, booked directly through Slack</li><li>📚 Funded training and development opportunities</li><li>🎉 Fully funded socials, activities and away days</li><li>🤝 Unlimited access to our well-being and mental health resource centre</li><li>⚖️ Instant access to independent financial, legal and other advice for you and your family members</li><li>🏆 Monthly team awards</li><li>📄 Progressive workplace policies including Transitioning At Work</li><li>📍Commitment to hybrid and flexible working</li><li>💻 New Macbook</li><li>💚 Mental Health First Aiders (training available)</li></ul> &nbsp;Shift patterns:Currently, we work on the following shift patterns:<ul><li>Weekday Shifts: Mid (09:00 - 17:30) / Late (12:30 - 21:00). 1 in every 4 weeks is a late shift.</li><li>Weekend Shift: 10:00-18:30 / 1 in every 4-6 weekends</li></ul>PinkNews is an equal opportunities employer. We are committed to creating a diverse and inclusive workplace that celebrates differences, allowing you to be your authentic self at work.As the leading LGBTQ+ media brand, we want to use our platform to amplify voices and represent our diverse audience.Please include in your application that you found this role through Creative Access.

PinkNews

Executive producer

Starting salary: c. £28,000 per annum, depending on experience.&nbsp;Contract: Full time permanent, subject to 3 months’ probationary period.Hours: 37.5 hours per week, plus a 1 hour unpaid daily break usually&nbsp;10am – 6.30pm Monday – Friday, based at our offices in London. Due to the nature of this role some evening work will be required and you may be asked to work additional hours from time to time.&nbsp;Location: Primarily based at the Casarotto Ramsay office in London, with the possibility of some remote working.&nbsp; Provide administrative support to a Film and TV agent in this busy talent agency.This job description is a guide to the nature of the work required of the assistant and the post holder may be required to undertake other duties appropriate to the nature of the post as agreed with their Manager. Main duties<ul><li>Managing the diary and setting meetings for your manager and their clients.</li><li>Keeping on top of a busy inbox with lots of incoming emails. </li><li>Organising travel/accommodation/meeting itineraries, for festivals or set visits. Proactively providing information that is needed on companies/projects in advance of meetings.&nbsp;Researching production companies to submit client projects when asked by agent. Tracking film and television projects and updating project information on the database.</li><li>Ensuring that we have up-to-date details of where producers/execs currently work, and previous credits/development projects.</li><li>Forwarding or handling festival invitations and press requests. </li><li>Providing paras (short pre-written client bios) for OWA/ODAs (open writing and directing assignments) on request.</li><li>Taking minutes in meetings occasionally.</li><li>Tracking and identifying talent.</li><li>Submitting client projects to producers in collaboration with your manager - and following up on submissions.</li><li>Updating credits and images on client pages of our website and posting Tweets where appropriate, using the house style guide and relevant hashtags (instructions available).</li><li>Reading and reporting on material sent in for&nbsp;clients, reading&nbsp;client’s work (treatments, bibles, and scripts) and sending feedback notes.</li><li>Making enquiries with publishers/publishing agents to discover whether film/TV rights are currently available.</li><li>Attend regular catch-ups/status update meetings with your manager, keeping a log of what we need to do with each client.</li><li>Saving emails on clients’ and producers’ ACT pages (our contact information database), and ensuring that client and producer contact details are updated on ACT</li><li>Working with the Finance team to keep on top of invoices</li><li>Managing and administering client guild memberships (such as WGA/DGA/WGGB/ALCS)</li><li>Helping with reviewing changes in drafts of contracts using Word comparison and tracked changes tools. </li><li>Scanning and filing contracts.</li><li>Preparing contracts for client signature (both in hard copy and via DocuSign as necessary) and ensuring that we receive fully-executed copies.</li><li>Keeping track of contracts&nbsp;(circulating for signature either physically or electronically, chasing up as necessary).</li><li>Taking and fielding calls.</li><li>Putting together Word document booking notices using information gleaned from contracts including details of payments to be invoiced.</li><li>Script reading and discussion on clients’ work.</li><li>Drafting emails to producers to introduce clients and their projects. </li><li>Tweeting, updating the website, sourcing publicity and production stills as needed.</li><li>Updating paras and the CVs in Word doc and PDF form and uploading to the website.</li><li>Keeping track of client ‘welcome packs’ (the paperwork we issue for signature to new clients when we begin representing them) and co-representation agreements, and overseeing to ensure we always get FECs (fully executed copies, ie signed by all parties) of all contracts</li><li>Corresponding with clients and helping them with basic queries – answering questions about whether funds have come in, if a payment has been invoiced yet, asking for a producer’s email address etc.</li></ul> Knowledge, skills and experience<ul><li>Knowledge of and interest in the Film and TV industry.</li><li>Computer literate, with excellent knowledge of Microsoft Office programs. </li><li>A minimum of 6 months administrative experience in the film and TV industry or equivalent busy office environment. </li><li>Strong editorial skills for reading and reporting on material&nbsp;either submitted for a client/client work</li><li>Exceptional attention to detail, organisational and forward-planning skills</li><li>Excellent interpersonal skills</li><li>Excellent communication skills and confident telephone manner</li><li>Ability to multi-task and work in a fast-paced office environment.&nbsp;</li></ul> Benefits<ul><li>Annual Leave: 20 days per annum, plus bank holidays, plus a 2 week Christmas closure rising after 3 and 10 years’ service.</li><li>Pension: The company will match the contribution of the employee to a maximum of 5%.</li><li>Tickets to client productions.</li><li>Interest free cycle to work scheme, subsidised gym membership.</li><li>Private health insurance after two years’ service. </li><li>Travel insurance after two years’ service. </li><li>Non-contractual company bonus scheme.</li></ul> Casarotto Ramsay strives to support a creative industry that reflects and celebrates the diversity of our community, especially in supporting equal opportunities for our clients and colleagues regardless of gender, race, socio-economic background, age, disability, sexual orientation and national origin. As such we are making a concerted effort to foster an inclusive workplace culture and welcome applications from anyone with the skills and drive to support new, exciting work.&nbsp;Please state in your application that you found this role through Creative Access.

Casarotto Ramsay & Associates LTD

Casarotto Ramsay & Associates

Assistant to Film and TV agent

Closing date for applications: 23:59 Tuesday 15th July 2025Salary: From £36,000 per annum depending on skills and experience &nbsp;This is an exciting opportunity for a talented, experienced commissioning editor to join the Bloomsbury Children's fiction team at the Nibbies-winning Publisher of the Year 2025.&nbsp;The chosen candidate will be working on a list packed with bestselling and award-winning books for readers aged six to young adult, and helping to create the successes of the future.&nbsp;This role involves driving a selected list of existing authors to successful publication and beyond with hands-on editorial acumen, acting as a support editor to senior staff on key brands and projects, and&nbsp;commissioning 1-3 titles a year in line with our fiction strategy. The candidate will work collaboratively with authors, illustrators and colleagues across the business. This role will report to the Senior Editorial Director or the Head of Fiction. &nbsp;Knowledge, skills and experience&nbsp;<ul><li>A highly experienced children’s fiction editor, with excellent structural editing skills and ideally a track record in commissioning successful fiction titles </li><li>Strong knowledge of the fiction market in both the UK and internationally </li><li>Able to confidently assess the commercial value of a project, with excellent understanding of title financials </li><li>An ability to create and maintain excellent relations with authors and agents, to help ensure that we are a destination publisher for the very best talent </li><li>Knowledge and experience of how to publish successfully and a willingness to learn more </li><li>A hard-working team player with great time-management skills </li><li>A polished and confident presenter who can sell a project to the wider team</li></ul> &nbsp;Additional informationThe role is a&nbsp;full-time permanent positionThe role is based at&nbsp;our London office 50 Bedford Square, London, WC1B 3DP on a hybrid working pattern of 2 days office-based / 3 days home-based (or fully office-based if preferred).&nbsp; Allocated mandatory office days for this role are Monday and Tuesday.Please apply via with a CV and covering letter addressed to Human Resources (Word or PDF format only) via the ‘APPLY' button detailing how you meet the requirements outlined above for this role by 23:59 Tuesday 15th July 2025.Please include in your application that you found this role through Creative Access.Bloomsbury reserve the right to close the role early if we exceed the required number of applications &nbsp;Bloomsbury BenefitsAs well as a fantastic opportunity to join a global award-winning organisation, Bloomsbury offers the following competitive benefits package:Working Pattern&nbsp;<ul><li>hybrid working pattern of: 2 days office based / 3 days home based (or fully office based if preferred)</li></ul>Holidays<ul><li>25 days holiday</li><li>3.5 days Christmas company holiday</li></ul>&nbsp;Other Benefits:Two paid Personal Wellness DaysFlexible Fridays –&nbsp;take Friday afternoon off by working an additional&nbsp;3 hours and 45 minutes earlier in the weekSeason Ticket LoanSharesave SchemeAXA Healthcare Plan (Private Medical Insurance)In-house DoctorEyecare Voucher Scheme&nbsp;Bloomsbury is a place where anyone of any background, race, ethnicity, religion, sexuality, gender identity, age, ability, or socio-economic status can thrive, feel comfortable, and be heard and accepted. We are an equal opportunities employer and welcome applications from all sections of the community.We are willing to make any reasonable adjustments throughout the recruitment process, please flag to the recruitment team if required.Applicants must have the legal right to work in the UK.

Head Office - London

Bloomsbury Publishing Plc

Bloomsbury Publishing UK: Bedford Square Office

Commissioning editor

Closing date for applications: 10 July 2025Salary: £30,000 - £36,000 dependent on experience and location (+bonus +benefits) &nbsp;Ready to shape bestselling books across true crime, celebrity memoirs, pop culture, and more? Sphere, home to some of the UK’s most exciting non-fiction, is seeking a meticulous and passionate editor to help bring bold, brilliant stories to life.Little, Brown's identity is personified by our innovative, dynamic and free-thinking people. Across our thirteen imprints, you won't find a wider range of titles anywhere in UK publishing. We pride ourselves on quality and diversity. A repeat recipient of the Publisher of the Year award, we're one of the most successful and dynamic publishers in the UK.Little, Brown is a division of Hachette, one of the largest publishing groups in the UK, with 11 publishing divisions and over 60 imprints. Everyone here is proud to be in the business of opening doors and minds.The Sphere imprint is the home of some of the division's bestselling commercial fiction and non-fiction, including Mark Billingham, Val McDermid, Ali Hazelwood, Angela Harding, Mark Hoppus and Ladbaby. &nbsp;What you'll be doingAs a key member of the Sphere Non-Fiction team, you’ll offer integral support to the commissioning editors who publish approx. 25 new titles a year across a broad spectrum of commercial non-fiction genres. Our recent publishing includes celebrity autobiographies from actress Joanna Page and Blink-182 frontman Mark Hoppus; platform-led offerings like LadBaby and Staying Relevant, as well as biography, memoir, true crime, sport, comedy, cookery, fitness, history and beautiful fully illustrated gift books. Sphere Non-Fiction is also the publisher for branded books such as Asterix and Great British Bake Off.Reporting to the Publisher, the role will involve working independently to project manage titles, being responsible for structural editing, sourcing and planning plate sections and proofreading to time, cost and quality specifications. This may also include:<ul><li>Liaising with authors and ghost writers to ensure manuscript delivery and quality (in support of the commissioning team) as well as keeping them regularly informed and updated on the progress of their book</li><li>Liaising with various teams, including publicity, sales, marketing, rights, design, audio, consumer insight, the project editing and production teams, as well as international teams and sister companies around the globe to ensure the success of each book</li><li>Providing information to internal functions to communicate progress and provide relevant information they require</li><li>Maintaining TI sheets and Metadata on Biblio</li><li>Supporting the Publisher as required for new projects including the collation of sales data, creating costings on Biblio and preparing for divisional meetings</li><li>Briefing cover designs and seeking approvals on draft covers</li><li>Drafting cover copy and proofreading covers</li><li>Attending cover shoots where necessary</li><li>Planning proactively and problem solving to maintain schedules</li><li>Attending meetings in relation to allocated projects and those for the generation of new book ideas</li><li>Reading book proposals well as highlighting books of interest on scout reports</li><li>This is not a commissioning role but an interest in commissioning would be desirable</li></ul> &nbsp;Who we are looking for<ul><li>A passionate interest in non-fiction and the audiences non-fiction books connect with</li><li>Exceptional organisation skills including planning ahead and independently managing projects</li><li>Meticulous eye for detail</li><li>Excellent communication skills with both internal and external stakeholders</li><li>A self-starting individual who is adept at working in a fast-paced environment</li><li>The ability to multi-task and prioritise efficiently</li><li>Copy editing experience</li><li>Proofreading experience</li><li>Problem-solving and diplomacy skills</li><li>Computer literacy</li><li>Ability to work as part of a team</li><li>Adaptability</li><li>An interest in pop culture and an eagerness to contribute to the evolution of the imprint</li></ul> &nbsp;What we offerOur staff are our greatest asset, and our benefits reflect this:<ul><li>28 annual leave days per year, increases to 29 days after 2 years' service and goes up to 30 days after 5 years' (+ bank holidays)</li><li>Private medical insurance</li><li>Dental insurance</li><li>Generous pension schemes</li><li>Rent deposit loans</li><li>2 community days per year</li><li>Summer hours (finishing at 1pm on Fridays during the summer months)</li><li>Retail discounts through Hachette rewards</li><li>Cycle to Work scheme</li><li>Eye care vouchers</li><li>Wide-ranging training library</li><li>Development programmes (including mentoring)</li><li>Up to 70% off book purchases</li><li>A charity bookshelf</li><li>12 Staff-led employee networks that are voluntary, including&nbsp;Gender Balance, Thrive, Pride, All Together, Wellbeing&nbsp;and religious networks</li><li>Season ticket loans</li><li>And much more!</li></ul>The role will be based at our London or Sheffield office, with a blend of in-office (3 days) and homeworking (2 days) per week. &nbsp;Our commitmentHachette employs people on the basis of their abilities. We aim to attract and develop talent from a base as broad as the world of readers we want to reach, with a wide and representative range of age, faith, disability, race, gender, sexuality and socio-economic, regional and cultural backgrounds.If you are shortlisted and need us to make any adjustments to help you attend for interview, please let us know.The Book Trade Charity offers financial support to people looking to enter the book trade but who may struggle to afford the costs of attending interviews and undertaking junior roles. For more information visit&nbsp;<a href="http://www.booktradeentrysupport.org/" target="_blank">www.booktradeentrysupport.org</a>Please include in your application that you found this role through Creative Access.&nbsp;

Carmelite House

Hachette UK

Non-fiction editor

Closing date: 11th July 2025Salary: £26,000 per annum Jumpstart your journalism career with this small, fast-paced news team.The Stage Media Company Ltd, based in London Bridge, is dedicated to providing up-to-date news and services for the UK’s theatre, performing arts and book publishing industry with two key titles: The Stage and The Bookseller. Both The Stage and The Bookseller are established leaders within their respective fields, offering industry news, authoritative reviews/interviews and insightful features.The Stage, the publication for the theatre industry, has an excellent full-time opportunity for a reporter to join its small but fast-paced news team.&nbsp;We are looking for someone who will&nbsp;create engaging editorial content of the highest standard for the web, paper and other platforms, conforming to The Stage’s house style.The successful candidate will have an NCTJ qualification or similar, a flair for writing eye-grabbing copy and be able to work to tight deadlines, for both online and print. The role requires a collaborative, proactive and flexible individual who will be part of a small team and be a supportive member at all times.&nbsp;As Reporter&nbsp;you will be reporting to The Stage’s Deputy Editor. The role will require someone who is&nbsp;highly proficient working across print and web, and will have a passion for theatre and the live arts. The successful candidate will also know how to apply media law and will have a good understanding of SEO. What you will do:<ul><li>Create exciting, insightful and relevant editorial content for the website, newspaper and other platforms, including exclusives and off-diary content</li><li>Meet two daily deadlines for the website, and a weekly deadline for the print edition, and contribute to rolling news output as required</li><li>Source relevant required additional media – e.g. photos and videos</li><li>Create and develop industry contacts</li><li>Represent The Stage at industry events and opening nights</li><li>Regularly communicate with the wider editorial team to contribute to the smooth running of the department</li><li>Liaise with other departments, such as marketing and sales, for the wider benefit of the company</li><li>Always work within accepted style, quality, law and balance requirements</li><li>Provide cover for team members as required</li><li>Oversee the creation of content in addition to news, such as interviews and features</li><li>Undertake data collection and analysis</li><li>Upload content to The Stage website</li></ul> What we are looking for:<ul><li>Recognised journalism qualification</li><li>Relevant working knowledge of UK performing arts and entertainment</li><li>Good working knowledge of media law</li><li>PC and Mac literate</li><li>Excellent written and verbal communication</li><li>Working knowledge of WordPress and Adobe CS (preferred)</li><li>Experience of video and audio capture and editing (preferred)</li><li>Experience with data and financial reporting (desirable)</li></ul> This may be a good fit for you if you:<ul><li>Can work independently but also as part of a wider team</li><li>Show initiative and is self-motivated</li><li>Are organised and can demonstrate excellent attention to detail</li><li>Are intuitive to business needs</li><li>Will network and develop relationships</li><li>Maintain a willingness to participate in continual learning</li><li>Have excellent interpersonal skills</li><li>can positively contribute to a team-oriented, collaborative environment</li></ul> Other information:Normal working hours are 10am - 6pm, with occasional evening or weekend work to cover events. This role offers a hybrid working arrangement, requiring at least three days a week at The Stage’s office on Bermondsey Street, SE1, with opportunities for remote work on the other day.Please note we start screening CVs and interviewing candidates from the start of a campaign. A successful candidate could progress to offer before the advertised closing date. We encourage you to apply as soon as possible if you are interested. We are proud to be an equal opportunities employer and are committed to fostering a diverse and inclusive workplace where everyone can thrive. We welcome applications from all individuals, regardless of background, and celebrate the unique perspectives and experiences that diversity brings.If you require any reasonable adjustments during the recruitment process, please do not hesitate to let us know. We are here to support you and ensure you have the best possible experience.Please state in your application that you found this role through Creative Access.

The Stage Media Company Limited

Reporter

5 Editorial / Writing / Storytelling Permanent position Opportunities