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Application deadline:  12pm, 15th December 2023Salary: Weekly rate as per SOLT/BECTU Agreement. Contract type: Fixed term until June 2024 (All applicants must be able to commit to the full contract)Weekly hours: 6 day working weeks (Monday to Saturday); 8 shows per week plus maintenance and understudy calls.  Location: Harold Pinter Theatre, West End London Start date: 15th January 2024  Turn up the volume of your career with this exciting opportunity!Sonia Friedman Productions is seeking applications for an experienced, Sound No 2 on the West End production of The Hills of California, written by Jez Butterworth and directed by Sam Mendes.Responsibilities include the preparation, rigging, maintenance and operation of the sound design. Knowledge, skills and experience<ul><li>Candidates should demonstrate excellent interpersonal and communication skills in order to support and deputise for the Head of Sound. </li><li>Candidates should be able to work calmly and efficiently under pressure as well as having strong organisational and time management qualities to ensure that the production runs efficiently and smoothly and that the sound design is maintained.</li><li>Ideal candidates will have experience in running radio mics and the operation of QLab.</li><li>Experience working on a West End production is essential. </li></ul> We are committed to a workplace that embraces diversity and inclusion. We particularly welcome and encourage applications from those currently underrepresented in our workforce.The employer reserves the right to close the listing and stop accepting applications sooner than the original deadline. Therefore we strongly recommend applying at the earliest opportunity.Please state in your application that you found this role through Creative Access.

Alexander House

Ambassador Theatre Group

Find your starring role this year!

Sound No 2

Application deadline: 18th December 2023Salary: £38,000, pro rata, 3 days per week (£22,800)Contract type: Freelance, 6 month contractExpected start date: 15th January 2024 (to be confirmed) Fuel climate action narratives with Carbon Copy by creating engaging social media videos and podcast episodes in this exciting role.<a href="https://carboncopy.eco/" target="_blank">Carbon Copy</a> is a UK charity that helps drive more big-thinking local action to protect us from climate breakdown and to defend nature.  The Carbon Copy network includes a unique collection of inspiring climate action stories told by over 1,000 local organisations from across the UK; area-specific information about the changing climate and Climate Action Plans; popular podcasts and blogs; and nationwide events that bring people together.The Carbon Copy podcast launched in early 2022, and has so far run for two very distinct seasons. In early 2024, we are looking to produce and release our next season – this time aiming for fortnightly episodes from March until the end of July.Season 3 will be hosted by Carbon Copy’s Chief Storyteller, Isabelle Sparrow, and will focus on bringing to life some of the most inspiring and impactful stories published on Carbon Copy. We are seeking a highly skilled Multimedia Content Producer, to support with recording, producing and editing podcast episodes. In addition, the successful candidate should have video editing capability, and will support our Social Media Manager in editing high quality videos for social media. Responsibilities(75%)<ul><li>Working closely with Chief Storyteller to write and record podcast episodes</li><li>Supporting Chief Storyteller with podcast logistics and guest management</li><li>Editing audio recordings into engaging podcast episodes</li><li>Traveling to project locations and assisting with podcast field recordings, when needed</li></ul>(25%)<ul><li>Assisting with shooting video content for social media (during podcast recordings and separately)</li><li>Editing video footage into high quality social media videos</li></ul> Please apply by sending a short (up to 1 side A4) cover letter, links to a showreel and a CV via email by clicking the 'Apply' button.Carbon Copy reserves the right to close this job posting prior to the given application deadline. Expected interview dates are Thursday 19 and Friday 20 December (there is flexibility, however, given the holiday season).We welcome and encourage applications from candidates who are under-represented in the creative industries. Please state in your application that you found this role through Creative Access.

Carbon Copy

Multimedia content producer

Closing date: Friday 8th December, 6pmStart date: January 2024End date:  August 2024 (with possible short extension for the remainder of the project) Hours: 40 per week (with potential for an increase to 45 hours per week depending on the department requirements)Location: Aztec West studio, Bristol Do you have previous production coordinator experience? Would you like to join an independent, multi-award-winning studio? Aardman Animations are looking for a production coordinator to join the Shaun the Sheep Special team. Aardman produces feature films, series, advertising, interactive entertainment and attractions for both the domestic and international market. Our productions are novel, entertaining, brilliantly characterised and full of charm reflecting the unique talent, energy and personal commitment of our team. Our work is often imitated and yet we continue to lead the field producing a rare brand of visually stunning content for cinema, broadcasters, digital platforms and live experiences around the world.In November 2018, Aardman became an Employee Owned organisation, ensuring that the studio remains independent and securing the creative legacy and culture of the company for the future. As a production coordinator, you will ensure efficient communication and processes across the production on a day-to-day basis. This key role focuses on the smooth running of the scripting, storyboard, and edit process.Part of this role will involve liaising with the producer and line producer to assist in booking the director's schedule. You will also be expected to produce crew timesheets and ensure invoices are forwarded to accounts in a timely manner.We are looking for someone with experience, especially in pre-production. You will have experience working with story and edit teams, plus excellent organizational skills with strong attention to detail. Responsibilities<ul><li>To work with the line producer to maintain a professional and supportive atmosphere where artists and editors can work undistracted to create images that visualize the movie, while meeting the needs of production.</li><li>To liaise with the producer and line producer to assist booking the director’s schedule.</li><li>Assist with any travel requirements needed for the writers, directors, and producer.</li><li>Produce crew timesheets and ensure invoices are forwarded to accounts in a timely manner.</li><li>Coordinate casting of sequences to artists per director. Informs individual story artists of their meetings, pitch times and dates, and daily meetings.</li><li>To take specific responsibility for the story and edit schedule and to assist the line producer with the story and edit team. </li><li>To schedule and track artists’ work daily and arrange and attend Director briefing and review sessions as required.</li><li>To liaise with edit in making sure boarded seq when available are brought into the AVID and made ready for director review. </li><li>To follow up on notes required from the edit that need fixes scheduled and delivered.</li><li>Maintain, number and track all story department artwork so that any particular sketch can be quickly and easily located.</li><li>Set up story and edit related meetings as well as screenings, and where necessary to take notes.</li><li>To follow up on notes required from director edit sessions that need fixes. Making sure these are scheduled and completed.</li><li>To keep a log of story clearance issues and liaise with the line producer and producer on story points that need clearance.</li><li>Ensure that story reference material is available to all departments and that the story team also have the latest artwork available for design.</li><li>To handle the presentation and coordination of story material to internal and external parties to ensure deadlines are met.</li><li>To assist with preparation and management of budgets as required</li><li>To observe the provision of the Health and Safety at Work Act.</li></ul> Knowledge, skills and experience<ul><li>Story, script, edit, and/or production experience on a live-action or animated feature in a coordination or production management role is a must. </li><li>Excellent interpersonal and motivational skills, innovative problem-solving, accuracy, attention to detail, organized, follow-through, proactive approach, multi-tasking, and excellent communication skills essential.</li><li>Must be of a professional and mature demeanor as they are constantly in meetings with the directors, producers, and high-level studio executives where highly sensitive issues are being discussed.</li><li>Must have good story sense and be able to take, clarify, and turnaround excellent notes quickly.</li><li>Scheduling experience.</li><li>Budgeting experience useful but not essential.</li><li>PC, MS Office, Outlook applications. Some knowledge of Final Draft is a plus.</li><li>Must be adept at learning computer tracking systems.</li><li>Quick to learn.</li><li>Flexible attitude.</li><li>Strong communication skills.</li><li>Attention to detail.</li><li>Self-motivated.</li><li>Team player – supportive and positive approach.</li></ul> Aardman is committed to building a culturally diverse workforce and therefore strongly encourages applications from underrepresented groups.  We are committed to equality of opportunity and welcome applications from all individuals, regardless of their background.Please state in your application that you found this role through Creative Access.

Aardman Animations

Production coordinator - Shaun the Sheep Special

Closing date: Monday 11th December 2023 Develop your production skills, negotiate creatively in a commercial environment, and manage all aspects of titles for global markets in both Adult and Children’s genres in this exciting role.We have two maternity cover opportunities for Production Controllers within DK’s Production team. This department produces a diverse range of well-recognised Adult and Children’s titles, which co-print in numerous languages. These positions will give the successful candidates a unique opportunity to develop and broaden their production skills, commercial awareness and relationship management skills.You will be involved in the creation and delivery of titles, for both trade and special sales, working across various global markets for your list. You will be responsible for all aspects of your list at all stages including product development, costing, scheduling, delivery, and quality control.A first-rate communicator adept at building and maintaining relationships with sales, suppliers and creative colleagues alike you will understand the role that Production plays in a commercial environment.You will be profit oriented, enjoying the challenges of creatively negotiating to tight margins, in line with DK’s department strategy. You will have a sharp eye for detail and be comfortable working both independently and as part of a team on high volume workloads. Knowledge, skills and experience<ul><li>Knowledge and experience of handling print scheduling, spend and placement.</li><li>Experience of 4 colour print processes and co-edition printing.</li><li>An understanding of product safety concerns and processes. For the Children’s role, safety testing and novelty product experience is ideal but training will be given.</li><li>An enthusiastic and proactive approach to work.</li><li>Excellent time management skills</li><li>Demonstrable communication skills</li><li>Commercially aware</li><li>Detail oriented</li><li>A thorough approach to administration.</li><li>Comfortable with managing high workloads in a demanding environment.</li></ul> We have a range of benefits to reflect our commitment to our people, some of which are:<ul><li>25 days paid holiday entitlement in year one, plus bank holidays</li><li>Generous pension scheme</li><li>Volunteering policy and charity matching</li><li>Employee assistance programme</li><li>Cycle to work scheme and discounted gym membership</li><li>Summer hours</li></ul>And we plant a tree for every new employee to our business. To apply, please submit your most recent CV and cover letter.DK is committed to building a diverse workforce that reflects the varied communities that read our books across the world. We encourage applications from all individuals, regardless of age, religion, gender, ethnicity, disability, sexuality or social background. DK is proud to announce that we have adopted The Halo Code.DK supports flexible working and has introduced a new ‘smart-working’ policy with a hybrid approach of working weekly from home and in DK’s office.Please state in your application that you found this role through Creative Access.The Book Trade Charity offers financial support to people looking to enter the book trade, but who may struggle to afford the costs of attending interviews or undertaking internships. For more information, visit <a href="http://www.booktradeentrysupport.org/" target="_blank">www.booktradeentrysupport.org</a>

Dorling KIndersley

DK Publishing

Temporary production controller (12-month maternity cover)

Closing date: 10th December 2023Salary: Up to £60,000Reporting to: Head of NFTS Scotland This is a unique opportunity for someone who is excited about imparting their knowledge to, and inspiring, the next generation of Scottish filmmaking talent.The Head of the Sean Connery Talent Lab post requires an experienced Producer, Executive or Industry Leader working in the film and television industry with a solid understanding, knowledge and practical experience of industry protocols and practices, and experience of teaching and learning.The purpose of the role is to oversee the Sean Connery Talent Lab programme for students and to support the School’s work in delivering related Talent Schemes in Scotland. Responsibilities<ul><li>Lead the Talent Lab to create a positive culture, and opportunities for the students to thrive.</li><li>Share your expertise with, and inspire, the next generation of producers.</li><li>Teach on the Talent Lab providing tutorial support to students and overseeing the teaching in other specialist areas. </li><li>Engage in ongoing processes of curriculum review and development to ensure the currency and relevance of the programme.</li><li>Play a key role in the selection of students to ensure the most talented students secure a place at the NFTS and on the Talent Lab.</li><li>Monitor the work of each individual student, attending reviews and discussions to make sure participants receive rigorous constructive feedback on all their work at each stage.</li><li>Support and help oversee the delivery of other provisions delivered by the School in Scotland.</li><li>Review the departmental budget with the School Management Accountant and maintain budgetary control, ensuring that the department keeps within its financial limits.</li><li>Play a leading role in ensuring students are well prepared for leaving the School by connecting them throughout their course with professional directors, production companies, agents and other talent schemes. </li><li>Engage proactively with NFTS Scotland team and the wider School to ensure films are delivered safely and on schedule and budget.</li><li>Engage proactively with the School Marketing department to promote the Talent Lab and NFTS Scotland more broadly and to answer the questions of prospective students through open days, outreach events, taster days, etc. </li><li>Take an active part in recruiting and developing visiting tutors, keeping up-to-date lists, and ensuring the quality and relevance of their contributions.</li><li>Take part in continuing professional development as an educator and practitioner.</li></ul> Knowledge, skills and experience<ul><li>An experienced film and/or television professional with solid understanding, knowledge and practical experience of the industry. </li><li>The ability to recognise and foster potential talent, whilst also ensuring students reach the technical and professional standards required of them. </li><li>A good understanding of teaching and learning.</li><li>The ability to engage positively with the other departments of the NFTS</li><li>Excellent organizational and management skills.</li><li>The ability to inspire enthusiasm amongst students and staff.</li><li>Excellent interpersonal skills.</li></ul> The employer reserves the right to close the listing and stop accepting applications sooner than the original deadline. Therefore we strongly recommend applying at the earliest opportunity.We welcome and encourage applications from candidates who are under-represented in the creative industries. Please state in your application that you found this role through Creative Access.

Beaconsfield Studios

NFTS Scotland

NFTS Leeds

NFTS Wales

National Film and Television School

Create Your Future With The National Film and Television School

Head of Sean Connery talent lab

Closing date: 10th December 2023Salary pay point: £27,000 per annumContract details: Full-time for 4 months This is an excellent entry-level opportunity for someone keen to gain experience in the book publishing industry within the production-editorial environment.We are looking for two POD Production Assistants to co-ordinate the conversion of our backlist titles to Print-on-Demand formats. The role sits in our busy Academic and Professional Division, which publishes across a range of subjects including Philosophy, Education, Theology, Linguistics, History, Drama, Film and Media, and Fashion. Responsibilities<ul><li>Process POD submissions to the department </li><li>Maintain POD title metadata</li><li>Create cover templates</li><li>Source text files or hard copies and arrange for conversion to POD </li><li>Distribute POD-ready files to our POD suppliers</li><li>Trouble-shoot across the POD process and clear error reports from suppliers</li><li>Data entry and other admin tasks to support the team as required</li></ul> Knowledge, skills and experience <ul><li>Excellent organizational and time-management skills</li><li>Proven IT skills (knowledge of Excel essential, of Adobe Acrobat desirable)</li><li>Ability to process a large volume of work quickly and accurately </li><li>Keen eye for detail</li></ul> Additional informationThe roles are full-time temporary 4 month contract positions.The role is based at our London office 50 Bedford Square, London, WC1B 3DP on a hybrid working pattern of 2 days office based / 3 days home based (or fully office based if preferred).  Allocated office days for this role are: Wednesday / Thursday.Please apply with a CV and covering letter addressed to Human Resources (Word or PDF format only) via the URL Below detailing how you meet the requirements outlined above for this role by 10th December 2023. Applicants must have the legal right to work in the UK.Bloomsbury is a place where anyone of any background, race, ethnicity, religion, sexuality, gender identity, age, ability, or socio-economic status can thrive, feel comfortable, and be heard and accepted. We are an equal opportunities employer and welcome applications from all sections of the community.We are willing to make any reasonable adjustments throughout the recruitment process, please flag to the recruitment team if required.Bloomsbury reserve the right to close the role early if we exceed the required number of applications.Please state in your application that you found this role through Creative Access.

Bloomsbury Publishing Plc

Print-on-Demand production assistant, Academic & Professional x 2 (4 months fixed-term)

6 Production / Post-Production & Technical Opportunities